U.S. Chart Roundup: Raise Your Glass To Pink, Who Has Her Third #1 Single

I'm immensely happy to see Pink's "Raise Your Glass" make its way to #1 on the Billboard Hot 100 this week. Who knew that this broad would still be around all these years later, while the rest of her fellow "Lady Marmalade" singers would fall over into the dumpster, one-by-one?

And, yes—I usually try to avoid mention "Lady Marmalade" in relation to Pink's chart achievements, but in this case I'm doin' it, since it was her first of three #1 singles over the past nine years (the second being "So What" in 2008).

Over on the Top 200 chart, Pink's Greatest Hits...So Far!!! falls from #14 to #29. (Though that's not as disastrous as Nelly's drop from #10 to #39 with 5.0.)

Also loving the rapid succession of #1 singles on the Hot 100 lately. It's especially gratifying, since when I started this blog, it was in the days of some rap song topping the chart for six-to-10 week stretches at a time.

Anyway, Enrique Iglesias' trashy new club jam "Tonight (I'm Fuckin' You)" debuts at #18 this week (albeit in it's clean "I'm Lovin' You" form). It's a real Renaissance for the hottest piece of tail in pop, considering he now has two Top 20 singles under his naughty belt in 2010. Previously, his last Top 20 hit was "Escape," which reached #12 in 2002.

Meanwhile, just as "We No Speak Americano" slides out of the Top 40, another dance jam from overseas—Edward Maya's "Stereo Love"—continues to make gains. The tune previously reached #4 on the UK chart back in May, and this week climbs to #26 here in the States.



Other trash: Michael Jackson and Akon's "Hold My Hand" jumps from #84 to #50, Christina Aguilera's "Show Me How You Burlesque" debuts at #70 and David Guetta and Rihanna's "Who's That Chick" enters at #73.

The U.S. Top 10:

1. "Raise Your Glass" - Pink *1 week*
2. "Firework" - Katy Perry 
3. "Only Girl (In The World)" - Rihanna
4. "Just The Way You Are" - Bruno Mars
5. "What's My Name" - Rihanna feat. Drake
6. "We R Who We R" - Ke$ha 
7. "Like A G6" - Far*East Movement
8. "Just A Dream" - Nelly
9. "The Time (The Dirty Bit)" - The Black Eyed Peas
10. "Grenade" - Bruno Mars

So How's 'Burlesque' Doing At The Box Office?

If, like me, you've been morbidly curious to watch how Christina Aguilera/Cher flick Burlesque performs at the box office, then you're probably just as surprised to find that, after an avalanche of bad reviews (and a 35% rating on RottenTomatoes.com), the movie has grossed nearly $20 million since its release last Wednesday.

In fact, while attendance for both Harry Potter and Tangled dropped off from Monday to Tuesday, it shot up for Burlesque. Likewise, the soundtrack, which debuts on the new Billboard Top 200 chart this week at #18 with 63,000 copies sold, has been hovering in the Top 10 on iTunes since the weekend.

(I should mention that, yes, I saw the movie—on Thanksgiving, no less! Knocking back several cocktails at dinner beforehand is definitely the way to go, though, c'mon—Burlesque is not as bad as some are making it out to be. Oh, sorry—that might be the alcohol talking?)

It's probably safe to say that the film's $55 million budget won't be recouped in U.S. ticket sales alone. In fact, it's probably more likely that Cher will have her original tits screwed back on. But once overseas box office numbers are factored in, Burlesque will escape being a Glitter-like flop.

Or, for that matter, even a Bionic-like flop.

Burlesque 2010 Movie Wallpaper Poster

Burlesque is an upcoming American contemporary musical film directed and written by Steve Antin starring Cher and Christina Aguilera. Ali Rose (Christina Aguilera) is a small-town girl with a big voice who escapes hardship and an uncertain future to follow her dreams to Los Angeles. After stumbling upon The Burlesque Lounge, a majestic but ailing theater that is home to an inspired musical revue, Ali lands a job as a cocktail waitress from Tess (Cher), the club’s proprietor and headliner. Burlesque’s outrageous costumes and bold choreography enrapture the young ingenue, who vows to perform there one day.